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92.2408 The Bauhaus Revolution: Its Origins, Personalities and Vision.
This paper will argue that were it not for the revolutionary spirit fostered by the war, the revolution in design that the Bauhaus represented would never have come to fruition. 7.5 pgs. 11 f/c. 4b.
Pages: 7.5
Bibliography: 4 source(s) listed
Filename: 2408 The Bauhaus Revolution.doc
Price: US$67.12
93.3877 Neo Classicism - Its Origins in France 1760-1848.
This paper will explore the origins and manifestation of Neo Classicism in France in the period from 1760 to 1848. As will be seen, Neo Classicism exerted a profound influence not only on the art of France during this period, but also upon its culture and political theory. However, as will be seen, French Neo Classicism was significantly influenced by events that took place outside of France, such as the excavations at Pompeii and Herculaneum in Italy. While these discoveries contributed more to an interest in all things classical rather than to specific artistic or cultural occurrences in France at this time, they nonetheless suggest something of the transnational nature of the Neo Classical movement. 10 pgs. Bibliography lists 6 sources.
Pages: 10
Bibliography: 6 source(s) listed
Filename: 3877 Neo Classicism France.doc
Price: US$89.50
94.3930 The Contributions of Eastlake and Merrifield to a Contemporary Understanding of 19th Century English Artists' Techniques.
Sir Charles Eastlake and Mrs. Merrifield added much, perhaps indirectly, to our knowledge of 19th century English artists' techniques. This paper examines their milieu, and how they gained interest in the painting that they wrote upon, along with their published contributions to fine art scholarship. Both authors are looked at in the light of a particular cultural and intellectual environment. 12pgs. Bibliography lists 7 sources.
Pages: 12
Bibliography: 7 source(s) listed
Filename: 3930 English Artists' Techniques.doc
Price: US$107.40
95.4133 The Modernity of Francisco Goya's "The Third of May", 1808 (1814).
This paper will argue that, while The Third of May, 1808 may seem to demand contextualization in terms of historic political and cultural forces - particularly the Napoleonic wars, nationalism and Romanticism - close analysis of the work would suggest that it is best appreciated in isolation from its immediate political and cultural context. From this perspective, Goya's The Third of May, 1808 is a painting, not of Romantic heroism or of Spanish patriotism, but of simple human suffering in the face of political violence and oppression. As such, it is a painting whose modernity and universal resonance transcends the narrow context of its creation. 8 pgs. Bibliography lists 5 sources.
Pages: 8
Bibliography: 5 source(s) listed
Filename: 4133 Third of May.doc
Price: US$71.60
96.4275 Art and Architecture in Society: Production and Reproduction in Historical Contexts.
John Ruskin and Charles Jencks represent different historical conceptions of art and architecture. Ruskin was in the Victorian-age of England, and Jencks is in the more erratic eclecticism of the 20th century. Each critic offers particular views on the role of the artist in relation to society, however Ruskin's can be understood as one that desires to control the artist, and Jencks recognizes that art is invariably a free expression of the individual. The responsibility is thus different: Ruskin believes the artist is responsible to society, and Jencks believes that society has a responsibility to the artist, in that artists represent a challenge to public perspectives, and this challenge is always reflective of social change. 5 pgs. Bibliography lists 5 sources.
Pages: 5
Bibliography: 5 source(s) listed
Filename: 4275 Production Reproduction Contexts.doc
Price: US$44.75
97.9503 Mechanical Reproduction and the Fostering of Graphic Incoherence.
This essay discusses how mechanical reproduction has resulted in the retreat from reality. The techno-formulation of reality, which is the mechanical reproduction of images, has served to change human perception. The problem of prime time television serves as an example of this reality, since it fosters graphic incoherence. 3 pgs. Bibliography lists 2 sources.
This three-page paper presents a formal analysis of a work of art from Africa. This writer chose a painting to analyze and used the various colors and the scene itself to discuss several points. There was one source used to complete this paper. 3 pgs. Bibliography lists 1 source.
